Kim Aubry

Kim Aubry

Profesión: Directing

Como equipo técnico

The Dream Studio
The Dream Studio
Writer
The Dream Studio
The Dream Studio
Producer
The Masterpiece That Almost Wasn't
The Masterpiece That Almost Wasn't
Producer
The Movement and the "Madman"
The Movement and the "Madman"
Post-Production Manager
Danger: Diabolik - From Fumetti to Film
Danger: Diabolik - From Fumetti to Film
Writer
Staying Gold: A Look Back at 'The Outsiders'
Staying Gold: A Look Back at 'The Outsiders'
Director
Emulsional Rescue: Revealing 'The Godfather'
Emulsional Rescue: Revealing 'The Godfather'
Director
Emulsional Rescue: Revealing 'The Godfather'
Emulsional Rescue: Revealing 'The Godfather'
Writer
Emulsional Rescue: Revealing 'The Godfather'
Emulsional Rescue: Revealing 'The Godfather'
Producer
The Moon’s Milk
The Moon’s Milk
Producer
Danger: Diabolik - From Fumetti to Film
Danger: Diabolik - From Fumetti to Film
Director
The Masterpiece That Almost Wasn't
The Masterpiece That Almost Wasn't
Director
The Costumes Are the Sets: The Design of Eiko Ishioka
The Costumes Are the Sets: The Design of Eiko Ishioka
Director
The Costumes Are the Sets: The Design of Eiko Ishioka
The Costumes Are the Sets: The Design of Eiko Ishioka
Producer
The Blood Is the Life: The Making of 'Bram Stoker's Dracula'
The Blood Is the Life: The Making of 'Bram Stoker's Dracula'
Director
In Camera: The Naïve Visual Effects of 'Bram Stoker's Dracula'
In Camera: The Naïve Visual Effects of 'Bram Stoker's Dracula'
Director
Method and Madness: Visualizing 'Dracula'
Method and Madness: Visualizing 'Dracula'
Director
Staying Gold: A Look Back at 'The Outsiders'
Staying Gold: A Look Back at 'The Outsiders'
Producer
EN EL MAR Y EN LA GUERRA
EN EL MAR Y EN LA GUERRA
Post Production Supervisor
In Camera: The Naïve Visual Effects of 'Bram Stoker's Dracula'
In Camera: The Naïve Visual Effects of 'Bram Stoker's Dracula'
Producer